"We begin by offering a friendly and candid admonition; what follows here is not for all readers. Thus we warn that those who prefer their reality sugar-coated may find these pages more bitter and sour than honey laden. Nevertheless we believe that such measures are a necessary medicine whose potential unpleasantness must be borne so that the debilitating malady afflicting our patient is remedied and the vitality of life restored.  We humbly entreat that those who venture into these pages bear us with patient good humor and an openness of mind that is seldom found in persons of  ignoble and dim-witted character.   Facing the unvarnished truth is often the most grueling task of all."

Dr. Ronald "Red" Rayder

Welcome to the PortJervisNY.biz blog buzz.  In these pages you will find plain spoken observations and insights about Port Jervis, New York, that are not offered elsewhere.  It is our hope that such an endeavor may project a beam of light into the shadowy corners of Port Jervis so that the ample dirt and cobwebs lying there might be cleansed and renewed.

July 17, 2007 - As the saying correctly notes, time flies when you're having a good time.  So it is that our hiatus from contributing observations to these pages has been spent.  But now we return once again to the work at hand and hold the unflinching mirror of candor upon the scarred and worn face of our troubled subject.
     This year is the centennial of Port Jervis having become a city.  One would reasonably think that such a special occasion, and opportunity, would warrant great celebration with widespread publicity and fanfare.  It would be easy, for instance, to conceive of brass bands greeting steam engine excursions arranged especially to bring visitors and attention to the Port Jervis community.  Civic groups and esteemed local politicians dressed in period costume might also be part of the festivities.  Businesses could be enlisted to host historical displays and horse drawn carriage rides might be a novel and lucrative attraction.  Performers could act in plays or musicals that were popular in 1907 just as musicians might offer energetic renditions of ragtime songs.  A costume ball could provide the chance for the willing to see, be seen, and photographed for posterity. The list of creative possibilities for making the Port Jervis centennial year one that will be talked about for the next ten decades to come is limited only by one's imagination and willingness to do what's necessary to make the plans reality.
     It is, however, a revealing, if not wholly surprising fact that the city's recognition of this notable anniversary is as lacking in ambition as it is generically unremarkable.  For rather than making the centennial the outstanding event it rightly deserves to be,  it has simply been tied to several renamed, routine community events. What's so special or inspirational about that?  
     While well-intended, such a casual gesture possesses the vigor of an anemic centenarian who has spent one season too many idly snoozing on a park bench as the world passed by.
     The object demonstrated in this failure of the community's presumed movers and shakers to capitalize on a rare and important occasion, kind reader, is that the Port Jervis of 100 years ago clearly held more promise, interest, and value than does the Port Jervis of today.       

Dr. Ronald "Red" Rayder

March 15, 2007 - Our initial installment in this ongoing series noted that the current trend toward revival in Port Jervis is not the first.  Nor was the previously described example a singular episode.  For shortly after the untimely and most regrettable closing of the Pike Street Arts Center, another rush of hope arose for Port Jervis in the form of tourism development and, specifically, promoting the city's substantial railroad history.
     In the earlier years of the Arts Center, a new task force was created by the Port Jervis mayor.  One of the objectives of this volunteer group was to research, identify, detail, and provide conclusions about the way tourism might be developed for Port Jervis.
    Using any number of resources and data ranging from universities and private sector tourism experts to federal, state, and county agencies, the Port Jervis Task Force on Tourism drafted a comprehensive study with recommendations.   Additionally, this group organized and administered a three-day city wide tourism event called, "The Orange County Delaware River Festival," that was both groundbreaking and to this day remains unsurpassed in success.
     The study's recommendations were presented to all members of the Port Jervis Common Council, city department heads, the Tri-State Chamber of Commerce, and other stakeholders in tourism development for the Port Jervis community.   Tellingly, with one notable exception, not a single elected official or others receiving the study offered a comment of any kind, much less acted upon the recommendations.  Even such a simple, common sense solution to making the downtown business area more user friendly by enforcing the law requiring motor vehicles to yield to pedestrians in crosswalks, has not been implemented.  Many other communities, including those in adjacent Pennsylvania, have followed this law?  Why is it so hard for Port Jervis to do the same?
     The one person who did response was the then city historian who was also a prime mover in preserving and renovating the Erie railroad turntable.  To his credit, this selfless individual has done much good service to the city of Port Jervis, including acting as executive director of the Minisink Valley Historical Society.
     Those who are familiar with railroad history know that turntables like that which was saved in Port Jervis were once necessary for reversing the direction of steam locomotives, whose power was most effective in pulling rather than pushing the cars in their train.   Likewise, since the advent of diesel electric locomotives, turntables were no longer required and had therefore become something of a rarity.  Renovating the turntable with an eye toward using it in conjunction with developing tourism related to the history of railroads in Port Jervis made perfect sense.
     For a short time, this aim took form and seemed to be a viable prospect.  During this period a steam engine, the Chesapeake and Ohio 614, affectionately known as, "Chessie," made several trips to Port Jervis.   With its arrival Chessie brought not only hundreds of visitors who paid to ride on the historic vehicle, and attracted many more train enthusiasts to the city, but also shone a sorely needed ray of hope on a community where such possibilities are not often seen.  Needless to say, local restaurateurs and retailers could be nothing but greatly pleased by the business the steam engine's visits generated.
     However, as fate would have it, the owners of the Chessie elected to sell the engine and the locomotive was ultimately purchased by buyers who took it to British Columbia, presumably for use there in the tourism industry as well.  
     Rather than aggressively and creatively working to capitalize on the momentum that had been stimulated through the preservation of the turntable and visits by Chessie, city officials did what they have historically done best - nothing.  Even though Chessie had been offered for sale in the public marketplace, and other engines as well as related historical train cars remain available, the opportunity to purchase that locomotive or similar machines was not pursued.  The pattern of inspired efforts by private citizens being sidetracked by the Port Jervis city government's lack of vision and effectiveness was thus demonstrated once again.
     As with the arts center property, the railroad turntable has been abandoned and fallen once more into a state of decay, gathering little more than garbage and sad memories of what might have been.
     The lesson learned from this woeful tale, good reader, is that even when much of the work is done for them by private individuals, Port Jervis city government is non-responsive and habitually fails to provide the style of leadership that might result in the economic, social, and perceptual boost that the community so desperately needs..

                                                                                                            Dr. Ronald "Red" Rayder


March 8, 2007 - Today is Easter Sunday.  On this day most holy to Christians the world around, faith in life eternal arises and with it hope for blessings on humanity is renewed.
     As in so many communities, Port Jervis has a long tradition of holding a Sunrise Service to commemorate this special day.  The place where these proceedings occur has historically been at the site where the most scenic, panoramic vistas in Port Jervis can be enjoyed - Point Peter at Elks-Brox Park.
     Located near the top of a mountain that overlooks Port Jervis, from this vantage point the Delaware River can be seen as its enduring flow passes through the city and divides New York from Pennsylvania and Pennsylvania from New Jersey.  On a distant peak across the valley, High Point Monument marks the summit of New Jersey.   Sloping down the opposing mountain is Interstate Route 84.  Below it all, just as it has for many generations, the city of Port Jervis goes about its business with births and deaths, love and loss, aspirations, anguish, and plain everyday business of living..
     But what most of those attending the annual religious ceremony may not know, along with young lovers who have also found this spot suitable for expressing fervent passions of their own, is that this location has a history involving crosses of a different kind.  For here, serving as a beacon of fear, warning, and intimidation that could be seen for miles around, the Ku Klux Klan held their gatherings to burn crosses and proclaim their racist beliefs.
     Thus it may well be that hate-monger members of the Klan were among those Port Jervis citizens who lynched Robert Jackson Lewis in 1892.   
     Following an oft repeated pattern, Lewis, a  black man, was accused of assaulting a white woman.  Hearing of the accusation against him, he fled but was soon apprehended and thrown in a Port Jervis jail cell.
     As rumors about the alleged crime spread, a large crowd quickly gathered outside the jail.  Despite the efforts of some officials, including the brother of author, Stephen Crane, the mob then took the defenseless man and their vigilante brand of justice into their own hands.
     Dragged up present day Sussex Street by a rope around his neck, Lewis was lynched from a tree on East Main Street near where the current First Baptist Church stands.   
      The next day Lewis' bare body was found hanging from the tree.  His poor clothes stripped from his lifeless form were reportedly sold to a New York City museum where morbid curiosity seekers could pay a few pennies to look at and touch the dead man's garments.
       Despite eyewitness accounts,  a grand jury seated to consider the lynching concluded that there wasn't evidence enough to prosecute and essentially deemed that Lewis had committed suicide by hanging himself.
       Known also is that the route taken for many years in downtown Port Jervis as part of the annual Fireman's Day Parade was the same as that used by the Klan for their own white robe clad processions.  
       There is little doubt that some contemporary residents of Port Jervis may count among their ancestors those who took part in the lynching.  Considering the November 2006 assault that occurred in Port Jervis where a black New York City police officer was beaten by three white thugs as they shouted racial slurs, it seems that the ignorance of ethnic hatred is not confined to the past.  
       The lesson learned from this horrific history, good reader, is that what lies on the surface of things today may not reveal what lies below and restless spirits, literal or figurative,  may still linger, bringing troublesome reminders of justice not done.

                                                                                                            Dr. Ronald "Red" Rayder


 

March 1, 2007 - Port Jervis, it seems, is undergoing another  revival.   Such a spurt of promise is not unique.  
     In the late 1980s and early 1990s, for instance, a great deal of enthusiasm was generated when a group of progressive community advocates bought the last theatre in Port Jervis and turned it into a center for the arts.   
     Called the "Pike Street Arts Center," this project facilitated several years worth of outstanding fine and performing art programs as well as classes and private instruction.  The encouraged excitement engulfing the Port Jervis area as a result of  that effort was palpable.  
      Among the factors that inspired the project was the knowledge that community amenities, such as an arts center, are considerations corporations take into account when evaluating an area as a prospective location for their businesses. 
It was similarly known that the arts generally attract individuals who are relatively more affluent.  Studies had shown that for every one dollar such patrons spent on a ticket to a performance, at least one or more dollars were spent in the community on such things as dining, shopping, and accommodations..  
     Needless to say, the impoverished nature of Port Jervis would have benefited greatly from such financial and social improvements.
     Tragically, this important effort was stymied not only by the economic aftershocks of the stock market crash of 1987, but also by the selfish, backwards, and possibly, illegal actions of Port Jervis city government.  For rather than releasing approximately $60,000 of a $100,000 matching grant that, thanks to the generous contributions of local citizens and businesses, the Center was due, city officials retained  the money  until the project died a lingering death for lack of funds.  The city official responsible for the fiasco very unceremoniously left Port Jervis soon thereafter never to be heard from again.  Where the grant money went is also anyone's guess.
    Demonstrating the reactionary lack of vision that has helped keep Port Jervis down for decades, the city then decided to raze the theatre complex "to build a parking lot," or so they claimed.  
     While dumping the theatre's demolition debris in Riverside Park, former site of the annual Mount Carmel carnivals, the city caught the attention of the New York State conservation department because of concerns regarding potential pollution of the Delaware River.  
     So much for being good stewards of the environment.
     Today, about a decade after the city destroyed the last operating theatre in Port Jervis, nothing other than an empty space containing little more than crab grass and dandelions remains.  Not even the supposed parking lot, the city's uninspired plan for the Center's real estate, was achieved.
     The lesson learned from this sad episode, good reader, is that if the city's current revival is successfully sustained, it will be in spite of rather than because of Port Jervis city government.

                                                                                                            Dr. Ronald "Red" Rayder